2023, cashew pigments on canvas, approx. 350 x 500 cm, installation, variable dimensions (2 pieces)
in collaboration with Dennis Ankamah Addo
thanks to Kofi Michael Adza and Paul Paakwasi Nkansah
The artwork, part of the series dedicated to the organic library of the cashew, experiments with pigments taken from the various parts of the fruit to represent a human gesture that can be traced back to thought and worry. A self-portrait in the form of father, an allegory of an archive of trans-species future.
The Legend of Cashew-head Persons, 2023, Former FORIG, KNUST, Kumasi (Ghana), curated by Zoe KɔKɔɔ
Atiāa Duase. A-signifying Allegory, 2023, Department of Animal Science and Technology, KNUST, Kumasi (Ghana), curated by Zoe KɔKɔɔ
It is a big size painting diptych depicting a detail of a human being’s face on a mise en abym meta-self-portrait, made using pigments obtained from different parts of, and through various processes by, the cashew fruits (apple and kernel).
The canvases hung on long bamboo poles are presented as a fence exposed to the flow of the day and the weather changing over time due to the natural colours and the effects of the sun, rain and pollution. The facial detail is a personal attempt to reproduce a familiar gesture of a loved one, initially portrait by De Marchi on black paper at a small scale, and later expanded on canvas in collaboration with the artist Dennis Ankamah Addo.
On the De Marchi’s request, Addo finished en plain air one of the paintings during the opening. The sun passing through the cashew’s oily colour, through the depicted pupil, turns it into gold.